Monday, January 11, 2010

Tsunako Miyake a cultural treasure?

The blogger and martial arts teacher 'Thoughtful Sensei' wrote about one of his teachers




"The Sensei I learned Kodokan Goshin Jutsu from was one of Tomiki's most senior players. She is still alive today and from what I understand is considered a National Cultural Treasure in the Martial Arts with streets in Tokyo named after her."


He likely was referring to Tsunako Miyake. I have heard wonderful things about this teacher my entire martial arts career. I decided to do a little fact checking and see if I could verify the rumor's Thoughtful Sensei heard that Miyake Sensei was a national treasure. I think the idea of a national treasure in the Tomiki line would be a great feather in our collective hat.

I sent the information to my old budo buddy Jeremy. He is still living in Japan, and has a Japanese wife to help with the tricky Japanese.





Dear Eric,

Kumiko and I found a 三宅綱子 who is from Hokkaido, graduated from Nihon Taiiku Daigaku(日体大)PE college and spent some time as a PE teacher. She's known for massage and shiatsu, has 5-dan in judo, 6-dan in aikido, 7-dan in jodo, tai chi chuan instructor. She's been doing something called [健康武道」or "Health Budo" lately.

Link




An Amazon link introducing the author talks about how she was doing
martial arts for a long time, starting with judo at age 16, but
lately quit to devote time to shiatsu and related stuff. Her book is
「わが家でできる健康指圧」"Shiatsu for health that you can do at home."

Link



She teaches shiatsu at the Asahi Culture Center in Yokohama. At
least, I'm assuming it's probably the same woman, given the name and class subject.

Link



She is almost certainly NOT a Living National Treasure. If you type
人間国宝(にんげんこくほう)and her name into a Google
search, you get no hits. Lots of hits for different people named
Miyake in noh and kabuki, but nothing for martial arts, and none for
her full name.

In addition, for the official National Treasure list, there are only
really two categories for people: performing arts, and craftsmen.
They're all pretty well documented, and there's a complete list on
Wikipedia, as far as I know.
Link

Link



She may have other awards or recognition for contributions to
preserving cultural heritage, but she's not a Living National
Treasure. Considering that the Culture Center doesn't list any awards
suggests that she doesn't have any, though. Kumiko said that if she
did have any certificates, awards, etc. they would have listed them
along with her other qualifications on the instructor info section at
the Culture Center website.

She's also probably not well-known enough to have a street or even
building named after her, or there would be a lot more links to her
name, and they would be more mainstream. The fact that she seems to only be known in the budo world suggests that she's not very well known, in fact.

I suppose it's possible that if she's from a small village in
Hokkaido she might have a street there named after her, but if so
it's so small that we can't search for it online. We didn't even find
where in Hokkaido she's from, so we're talking about a place that's
probably about the size of Niiharu, or maybe even smaller.

Jeremy







Special thanks to Jeremy and his wife Kumiko for their research. Much appreciated. He has a passion for budo and history that matches my own.

FYI - Niiharu was a village of 3000 people I lived in from 2000-2003. Shortly after I left it was absorbed by a larger town.

Well this is the information I have uncovered. I do not think it is the final word, but perhaps this information can fuel further research from people with more resources. Needless to say, whether she got the official recognition or not, those that have been touched by this woman all seem to agree she holds a special magic and is worthy of the honor. If she is not a cultural treasure there in Japan, she sure seems to be one here in the USA.

Friday, January 8, 2010

Tomiki Sensei's totally average video

Mokuren blog posted a video of Tomiki Sensei and Oba (Obha) Sensei performing the Junana hon kata, the 17.



I have the highest respect for Mr. Tomiki, his teaching method and his written work. I even consider myself a scholar of Tomiki's work. But honestly I think the video does come close to demonstrating the higher principles of aiki or ju.

Jeff Duncan of Full Circle suggests that both Ueshiba's and Tomiki's work were foundations. They were rough drafts of the future art to come. I myself concur with this view. While I always enjoy watching the famous great teachers, I watch it with the eyes of an English teacher reading a rough draft. I circle the mistakes in red pen and rephrase the awkward sentence fragments in the margins.

Now I think many students of the Tomiki lineage will try to rationalize away what they see in the video. "He was old" or "He was just showing the basics". Is this a rationalization away that perhaps the founder of our system was not as super human as we like to believe him to be? Do not view the video with cloudy dreamy eyes of the love struck school boy justifying away the blemishes. See it for what it is; a rough draft of the art.

I myself am not discouraged. In fact I think the progress we have made in the Tomiki line since the death of Keni Tomiki shows his contribution more than his personal technique does. He helped us frame the problem of moving in Aiki. He gave us training wheels so we might go further than he did.

Our teachers are giants, and they allow us to stand on their shoulders so we can see farther than they could.

Sunday, January 3, 2010

Tomiki and the Goshin Jitsu kata

So the last of the formal kata introduced at the kodokan was the Goshin Jitsu. Tomiki Sensei is known to have been a key player in the development of this kata. Lurking around JudoForum I discovered another insightful history post by the internet Judo guru who goes by Chicorei Kano.



Cichorei Kano's Avatar



The Committee for the development of self-defense methods within the Kodokan was established in September of 1952. It was lead by Nagaoka, Mifune and Samura. As Nagaoaka already passed away just two months after this (He died in November of 1952), his influence on goshinjutsu is insignificant, at least directly. Nagaoka was a crucial figure in Kime-no-kata and likely in this way did leave some inheritance.

The original committee existed of not less than 25 people, all the way from 7th dan to 10th dan, of which Tomiki Kenji's name likely has been most known as connected to goshinjutsu. Tomiki in that time was a 7th dan, and some of the later famous judoists such as Kotani (later 10th dan) and Kudo (later 9th dan) were 8th dan. There were also three 9th dan-holders (at the time): Oda, Kurihara (later 10th dan) and Nakano (later 10th dan). It is Kotani who probably became the greatest and best known expert of goshinjutsu, and his performance in this kata was impressive. Too bad the Kodokan hasn't published the video. It exists in color, and I have it somewhere under a layer of dust. I guess I should transfer it to DVD at some occasion, before it fades more.


Kotani


There do not exist any scientific or history books on Kodokan 's goshinjutsu. The leading works are those that Tomiki wrote in 1956 and which has been reprinted numerous times and Kotani's book which he published with Hirose and Ozawa. Tomiki's book can still be found on secondhand markets without too much difficulty, except for the fact that some idiots will try to charge horrendous prices for it. Expect to pay anything from $40-$120 for it, though it is a pretty thin book printed on bad quality paper with very poor quality pictures.

In the early 1960's Tomiki himself used to teach it as part of the summer course, and there are still some Americans left who must have learnt goshinjutsu from him firsthand. I'm thinking of such people as Jack Williams and Hal Sharp, both now shichidan.


Okada with Hal Sharp


Goshinjutsu HAD to be different from Kime-no-kata. The Idori in Kime-no-kata was still remniscent of the Edo-period, with a samurai visiting a daimyo, depositing his katana at the entrance, and wearing only his (clothes and) wakizashi. In modern Japan or the West, no one does this anymore, and even the Japanese use chairs and tables. Idori is therefore superseded by time.
Two out of the three weapons used in Kime-no-kata (though the third weapon, the wakizashi, is twice only mimicked and symbolized by the tanto to reduce the number or returns and complications) are not really carried as by any modern potential attacker, except for a weirdo. Yes, the above is NOT an error, kime-no-kata DOES have three weapons, NOT two as most of you may think, and most books will suggest. Both 'kiri' attacks in the idori and tachi-ai are performed by a(n) (imaginary) wakizashi, not tanto. It was also never felt necessary to actually use two different mock weapons to simulate either one; after all, lengthwise there isn't much difference, and a long tanto can actually be longer than a short wakizashi.
In goshinjutsu, the weapons are either everyday common weapons (stick or jo, knife of tanto) as well as modern developments (pistol or kenjo).

In terms of its techniques, goshinjutsu goes outside of the standard judo curriculum and introduces wrist locks, whereas it avoids going back to previously deserted judo techniques such as neck- or leglocks. Kano Jigoro's admiration for aikido was empasized earlier by sending both Tomiki and Mochizuki to Ueshiba's dojo. The effectiveness of aikido was obvious, and the art was able to achieve this by meticulously adhering to its principles, and unlike in judo avoid an over-reliance on physical force, which was often seen during major contests; in addition, aikido preserved high educational values, and like judo succeeded in doing something jujutsu failed at, that is, go all the way without producing major injuries to important joints. Aikido's ikkyo, nikyo, sankyo proved to be very effective techniques, and so was its principle of kote-gaeshi and kote-hineri. Those locks could be learnt without needing to have great proficiency in aikido. The same would not be true for example with techniques such as irimi-nage or kokyu-nage.


Minoru Mochizuki


Though Kano himself was no longer part of this entire ordeal, and we do not have any proof that this is what he wanted, he had commented that he considered aikido as the "ideal budo" hence implicitly admitting the limitations of his judo. Towards the end of his life, Kano became more and more aware of certain failure of judo, not necessarily because the system was flawed, but because the way it was being practised was increasingly deviating from his ideas. He tried remedying this by conceding that a return to ko-ryu was necessary. Judo and ko-ryu would need to be blended in. The Kodokan itself suppressed these ideas after Kano's death, possibly because of a certain right-wing identification of ko-ryu and its illegitimization by MacArthur. It emphasis as sport, likely helped judo being allowed sooner to be practised again, unlike ko-ryu arts.


Orginal Thread on JudoForum

A rough version of the kata being demoed.

Friday, January 1, 2010

New Year resolution 2009 - More Teachers

Apologies to my readers, I have been off training and playing with family for the past week. Time to get back to the normal life and training.

2009 was a great year in the development of my budo training and connections. I enjoy the idea of New Year's resolution. I think it is a very Budo idea, after all should not we use every tool at our disposal in the search of improvement?

One year ago I made resolutions that totally changed my practice.

2009 Resolutions

I decided I was open to finding new teachers and I was going to pursue more groups to train with.

I love my oldest teacher, Russell Waddell. He gave me some of the greatest teachings I have ever received and is one of the finest Aiki thinkers out there. However, 2009 I found myself interested in adding more ideas and influences to my journey.

I started my search for new teachers by writing Nick Lowry Sensei from the Kaze Uta Budo Kai. We started a email conversation that led to phone calls whick led to a seminar. Something I believe I have failed to mention on my blog is that because of this resolution the KyuRyu AikiBudo Dojo is now a proud member of the Kaze Uta Budo Kai and we are enjoying being part of a larger family of like minded budo nerds. Last week I made my first trip up to the planet dojo in Oklahoma and had a blast.

I was talking to Nick and was telling him how much I wanted to pursue my judo training and he mentioned there was a superb teacher in the Austin area I had never heard of before, Mr Matl. With Nick's suggestion I headed up to Round Rock last February and restarted my judo with his group. I was impressed with the soft throw judo and quality people up there. It only took me one lesson and I proudly call Mr Matl one of my teachers. He is the one teacher I have made this year that I have not invested enough time in training with, but his ideas now permeate my approach and thinking of my practice.

Matl Sensei knowing I am a Aiki man kept trying to push my towards a man he shares his school with, Brendan Hussey. I was usually too tired after Judo to stick around and train with Hussey's group, but eventually Brendan got his hands on me. From the first workout session I realized Brendan's work was something I had to have influence me. Brendan has done more to free my mind from the constraints of 'style' and 'system' than any artist. I have experienced more dimensions of Aiki thinking in my last year with Hussey sensei than my whole career combined. He is truly a original thinker, standing on the shoulders of his teachers and flying to places few have gone to. I am blessed to be carried along for the ride and helping to shape his thinking through my own ideas and practice.


And besides the teachers I have laid my hands on this year, other teachers have strongly influenced my path through the blog o sphere this year. Patrick Parker Sensei dishes out daily wisdom. Ikigai Way hits home runs with his blog. L.F. (Thoughtful Sensei) Wilkenson challenges my understanding and offers interesting perspectives. Sean Ashby and Kyle Sloan are my brothers in budo, the next generation of great teachers and my bestest buddies even though I have met them only a few times. Rick, head cook at Ding's Kitchen is a must read as well.

And then there is Dojo Rat, subversive-communist-hater-of-Chuck-Norris. I am keeping my eye on that guy.


Thanks Senseis. 2009 was great.

Wednesday, December 16, 2009

Professor ???? Kano

I have been hanging out at the judoforum.com lately. A gentlemen named Cichorei Kano typed a very interesting and informative post about academic titles (professor) and it's use in modern Judo in the west. Lots of good stuff here. I have noticed some people in American budo throwing around the 'professor' word and I have always been uneasy about that title for budo. I will now hand it over to him.
Indeed. I have now looked this up, and I cannot find any credible evidence of Kanō Jigorō ever on the basis of study or research having been awarded an academic doctorate.

Kanō became a student in 1870 in the 成達書塾 in Ryōkoku, which is pretty much a school for learning how to write. His teacher was Ubukata Keidō. He also got acquainted there with the Chinese Classics. If you do not know what the “Chinese Classics” are, they are 4 main neoconfucian writings, by resp. Ta Hsueh, Lung Yu, and Chung Yung, and the Book of Mengtzu, with in addition what is referred to as the Five Canonic Writings (I-Ching, Ch’un Ch’iu, Li Chi, Shih Ching, and Shu Ching).

Apparently, Kanō was an exemplary student. Ubukata-sensei himself was strongly influenced by Western thought and tried to convey this on to Kanō. Given Kanō’s young and inexperienced age, a first step to do was to recommend that he’d study English. He was sent to Mitsukuri Shūhei to do so.

In 1873, Kanō enrolled in the Iku’ei Gijuku, a private junior college. I think it may have been affiliated or have some link with Keiō University, but I am not sure of that. This school was a sort of boarding school, with students also spending the night there. I believe they employed foreigners, and courses were interestingly taught not in Japanese, but in English and German.

However, Kanō did not stay there and left after just a year, and in 1874 entered the Tōkyō Gaikokugo Gakkō 東京外国語学校 (Tōkyō School of Foreign Languages). In 1875, Kanō was accepted in the Kaisei Gakkō, and entered the Faculty of Letters, with an emphasis on Politics and Economy. He graduated in July of 1881 (Meiji 14, 7th month) with a Bachelor’s Degree of Letters or Bungakushi 文学士.

Tōkyō University or Tōdai did not exist in 1875, and was only created in 1877; the old name of Imperial University 帝國大學 Teikoku daigaku was only given in 1886, five years after Kanō graduated, and its name was changed again in 1897 into Tōkyō Imperial University 東京帝國大學 Tōkyō Teikoku daigaku (see: http://www.u-tokyo.ac.jp/gen03/b03_02_e.html)

After his graduation in July of 1881, he returned to the same Faculty of Letters to focus on Aesthetics and Moral Philosophy, in what thus was graduate study (or as they call it in England ‘Postgraduate). He finished this study in July of 1882. It is there where he also studied under Ernest F. Fennolosa.

I do not know the exact name of this graduate study, assuming that it actually led to a new degree and not just to “having taken some supplemental courses”. I doubt that a single year of study above a Bachelor’s Degree would by any serious person be regarded as a doctorate, and moreover, like Jon Z already pointed out, the Doctoral or Hakase 博士 system did not even exist in Japan at that time.



Source is Hasegawa Junzō: Kanō Jigorō no kyōiku to shisō. Meiji Shō’in, Tōkyō, 1981.

I have mentioned that I have some memory of an event in March of 1924, which may or may not have been an awarding of some doctorate, but I may be wrong, and cannot find the details back.

In any case, I have argued before that a part of the biography of Kanō as it has been spread in the West is fake. I want to make it clear that I am not saying, suggesting, or surmising at all that Kanō Jigorō himself is in anyway responsible for this. In my view as is often the case with hagiographies rather than biographies, convenient ‘errors’ are made to add importance, and those in the known of it, ‘condone’ these errors to make things look more impressive than they really are.

I have never seen any document where Kanō Jigorō signed with ‘Doctor’ or its Japanese equivalent 博士 hakase. In fact, I don’t think that I have ever seen even any Japanese document written by others that do so either.



Let me point out that similarly there exist many W-E-S-T-E-R-N documents that equally bestow a rank of 10th or 12th dan on Kanō, something again of which no foundation exist. I have never seen a single Japanese document that assigns any dan-rank whatsoever to Kanō, just like no Japanese document assigns any dan-rank to Ueshiba. Dan-ranks are for ‘students’, and the creator of style typically does not hold a rank in his own style.

This goes on and on. Even this summer I heard Murata refer to the Kōdōkan's jūdō instructors as ‘professors’ and the foreigners coming there as ‘students’. This is a load of bull crap. The Kōdōkan has never been assigned any academic authority by Monbushō to issue academic degrees or ranks. People teaching at the Kōdōkan are not ‘professors’ but ordinary sports instructors just like baseball coach is. They are typically people who have good practical knowledge about technique and that is it. Don’t try to sit down with them and explore the writings or philosophy of Kanō or they go blank. There are few exceptions, such as Daigo, who simply stands out and is very well-read. Also Komata is a professor, and this at Tsukuba University, but the majority are not. You can clearly see this from the young Kodokan-sensei; some are fighters like Kōji Komuro, others have pretty basic other jobs or education. With much older sensei we often do not know, since they were around long before we were born, and we have such great respect for someone with ranks of 8th or higher that we are all too glad to bestow further mythic proportions to their background. The truth is typically different.



Typically, becoming a professor is no sinecure, and today invariably requires holding a university doctorate, ample publications in peer-reviewed journals, and other scientific accomplishments, such as previous guest-professorships at other foreign universities, conference presentations at international conferences, etc. Some less serious schools in Japan on occasions may still accept people with a Masters as instructors and assistant professors. These issues are not just ‘innocent’ mistakes. The Japanese know very well that an ‘instructor’ 師 or 指南番or lecturer 専任講師is not a ‘professor’ 大学教授. If they wouldn’t, then why would they have completely different terms for ‘professor’ and ‘instructor’ and ‘lecturer’ just like we do in English ?

The Kōdōkan has known for years that part of its history is fake. Be serious. When jūdō was created in 1882, Kanō was only 22 years. How many of you would take serious a 22-year old if referred to as shihan and having created his own style. Kanō was erudite, and Kanō was intelligent, but for Christ’s sake, he was no Mozart or child prodigy.

While today 60- and 70-year old people are struggling to understand what Itsutsu-no-kata is about, yet the Kōdōkan would like us to believe that Kanō supposedly would have created it himself at just 27 years of age ? Right. It is known that Kanō in 1932 when he was 72 years of age was still struggling with this kata, as admitted by himself during a visit to London, a statement notoriously absent from any Kōdōkan documents, just like the things Kanō failed in are notoriously absent. Why would he be struggling with something that he would have shaken out of his sleeve half a century earlier ? There does not exist a single piece of writing where Kanō states that he would have created Itsutsu. The only thing he once said is that the first two techniques came from Kitō-ryū (which in fact is wrong) and that the last three would have been original. The Kōdōkan for years has conveniently explained this as that “Kanō himself would have taken these two techniques from Kitō-ryū and created the last three himself”, which is a very, very liberal interpretation of the previous statement. Itsutsu-no-kata comes from Tenjin Shinyō-ryū where it is one of the most advanced exercises. Kanō had barely practiced this last part and by 1932 even far less. He didn’t exactly struggle with jū-no-kata. Why ? Because jū-no-kata he did actually create. The two ones he struggled with were Itsutsu- and Koshiki-no-kata both which he did not create, but imported from the two parent schools of jūdō.



What is the origin of Kanō Jigorō’s ‘Dr.’ predicate ? Real ? Fantasy ? The debate here so far, shows that we can’t say for certain, but there is little evidence that this ‘Dr.’ title originated in Japan. One speculation is that in the early century no one in the West was familiar with the promotion system of jūdō; in fact, very few were familiar with it in Japan. There exists at least one document where Kanō is trying to explain the system by comparing it with ordinary academic study, linking certain jūdō black belt rank levels to some sort of “Bachelor’s Degree in Jūdō”, Jūdō ranks such as 6th dan and upwards as Master’s Degree in Jūdō level, and the highest ranks of 10th dan as similar to PhD level. The question can be raised whether this comparison was taken literally by enthusiastic Western audiences and back-extrapolated suggesting that as ‘shihan’ Kanō therefore would have been a “Dr. in jūdō”. As cute as this may sound, academically speaking it is complete nonsense.

If in the end, the ‘Dr.’ is real and was indeed a 1924 Doctor honoris causa, then the logical follow-up question is: Which university bestowed it and when ? Honorary doctorates are not particularly difficult to trace, as such things are typically public events and information, and not protected by privacy. Many universities even have the names of honorary doctorate holders published on their website. Most people, even the most modest ones, usually have it mentioned in their biography, since getting a honorary doctorate is a quite remarkable honor, and are all too keen to specify which institution bestowed it and in what year. In that respect, it is striking that no biography of Kanō mentions any such details, which adds doubt to such claim. If it would be a foreign university, then I think that there are not too many candidates. I can think of Berlin, for example, but not too many others.

Dealing with these things in a proper way is a challenge. If you raise such concerns regarding the person of Kanō, you will often be called ‘disrespectful’ and even may become “persona non grata”. Did I already say that Yukimitsu Kanō hasn’t spoken to me for years ? Fact is, who is really served by perpetuating these nonsense ? As well-meaning as the Kōdōkan and Japan may be, their reluctance to correcting anything towards the past out of fear that it may cause embarrassment or perceived as disrespect, may sound noble, but is in the end not workable as one day it will come back and bit the Kōdōkan in the ass.

In the mean time, the saga continues …


Orginal Thread on JudoForum

Friday, December 4, 2009

The Legend of the Invincible Old Man

Patrick Parker brought up the legend of the invincible old man on his blog.


I believe in 1996 or so I went to a seminar that was being hosted at the dojo of my teacher. At the time Russell Waddell was a member of the Jiyushinkai Aikibudo organization headed by Charles Clark. “Chuck” Clark is one of those teachers that borders on magician. He bends the mind with impossibly clean technique and long dissertations of solid aiki principles. I had trained at his seminars several times and I had been looking forward to again training in the shadow of the great teacher for months.



I arrived at the seminar and headed back to the dressing room to change into my uniform. In the changing area I saw a man I had never seen before. I am guessing he was in his 60s or 70s as he had sparse snow white hair. He must have been 5’3”. He was packing a lot of extra weight. The exertion of simply putting on his uniform caused his lungs to have a strained whistle. On top of all this he had a goofy looking red and white striped belt I had never seen before. I thought to myself “this guy is going to get himself killed”.

After the session started Chuck Clark asked the man to come up and show something. The short man stepped onto the mat and broke out into a heavy sweat. In fact he carried a towel with him to mop up the rivers that poured off him. He was having health problems in his later years.

He motioned to me to use me to make his judo demo.

Judo? My young guy mind thought I was going to show this guy what Aikido was about. I was not at the time of my life where I had learned to be a polite uke, and I would prove it now. I made a move against this man but instead I fell right into the softest and most effortless o soto gari foot sweep I have ever NOT felt. He followed me to the ground. I had been putting in a lot of mat time so I was sure this fool had made a mistake. Instantly I was put into a wrist lock, elbow lock, shoulder lock, and choke all at the same time. Four locks at once! I thought my eyes were going to explode. Releasing me from my bind I made a move with the other hand, and just as effortlessly I was bound into a second wrist lock, elbow lock, shoulder lock, choke.




This man went on to demo on me things I have never felt before or since. He could press nerves and make me leg dance. He choked me with a single finger over and over. His judo was sublime and perfect aiki.

His name was Stan Conner and he was a true master technician. He was a 8th dan in Kodokan/Jiyushikan Judo. He is the only American to have graduated from the Korean National Judo Teachers College. Though I just met him once the energy and feeling I got from him has shaped my journey on the path ever since.


While I heard his physical form passed away several years ago, I like to believe he is one of those Aiki/Jedi master ghosts hanging out in a dojo some where. Maybe he will call with a ghostly voice "Luke.... don't use Force."

Tuesday, December 1, 2009

Matl Sensei Says...

Matl Sensei is a great Judo player and teacher. I believe he is 8th or 9th dan in Judo, and believe me he deserves it. He is short man around 70 years old. He speaks in such a heavy Czech accent I can only understand every two or three words. I have a great respect for his approach to judo and his technical ability.



He seems to appreciate aikido, but has a useful critical eye for it too. Here are some quotes from the master himself on aikido.

“I like Aikido. It is perfect Judo technique. One thing though – in real life perfect Judo is very hard to do. In real situation in order to get technique you have to put a foot in the way.” (referring to the difficulties of pure Te waza)

"Tai Chi is meditation by your self. Aikido is meditation with some one else. Judo is meditation against someone."

Matl sensei has another quote when he asked the Round Rock aikido teacher to shiai with him. "You aikido guys need to shiai every once in while. Otherwise you are just sitting on the couch, eating pizza and smoking cigars." While this is a somewhat cryptic and humorous quote, especially if you know the man, I think it makes a point.

I think there is a theme building in Sensei’s quotes and observations about aikido training. I am hearing him say in the subtext of his quotes that aikido is a great art, but a lot of aiki training methods hover around some of the gritty difficulties of a martial encounters.

I think his observations are interesting and worth including into your own evaluation of aikido. I think we aiki artists can justifiably rationalize some of his observations away, but returning to face them every now and then is probably wise.